Showing posts with label San Francisco. Show all posts
Showing posts with label San Francisco. Show all posts

22 April, 2026

Thank you, Michael Tilson Thomas

It with profound sorrow that I join the world in mourning the loss of a once-in-generation musician, Michael Tilson Thomas.

I have many memories, (and some shall always remain privately ‘mine’), but what I can say is that MTT gave me was so much more than “a shot” when he selected me—a total nobody— to sing *his* Maria. He also gave me the gift of contributing to the legacy of West Side Story and to crossover music history, happily preserved for all time on our glorious recording.

But above all, MTT unsentimentally taught me how to believe in myself, and the lesson that sometimes? that is a slow process. The story that captures this:

One day, during our week leading up to ‘West Side Story’ rehearsal he brought me in to his office. I truly believed I was being fired. The imposter syndrome was real. But that is not what happened. “You’re singing sharp when you get nervous,” he said. “I know. That does happen when I get nervous I’ll fix it,” I replied, horrified. “Singing sharp often happens when people try too hard,” MTT continued, “They overshoot the note trying to be more than they are. I don’t need you to be more than you are. You are ‘Ein großer Künstler’ Alexandra. A great artist. Be exactly what you are, fully, don’t shrink, don’t puff, and you’ll be perfection.”

I was staggered. I almost cried. 
     “So I’m not fired?”
     “Absolutely not.”
     “But… I don’t know if I can trust myself like that.”
     “Then trust ME. I’m Michael Tilson Thomas and I know what I’m doing! I chose you. And I don’t regret it. Trust ME until you trust yourself. Sometimes belief can be collaborative. Nothing wrong with that.”

May we all learn from this.

May his memory be a blessing. 
I know it shall always be for me. 
None shall part us now. 
 




 
 
 

01 June, 2017

I've Been: Spring 2017



Visiting beautiful San Francisco Bay Area:

     - Enjoying my (self-appointed) title of 'Aunt of the Year!'

     - Muir Woods

     - Bowling

     - bearing witness to my eldest niece Hannah’s 11th birthday party (my first birthday party as 'Aunt Al'). There were many emotions. 

- Building a freakin DOLL HOUSE with Jordan that almost made us divorce as siblings... (I genuinely can't believe people stay married after this family activity) but we DID IT!!!

     - Spending an entire day alone in San Francisco, visiting all my
old "spots" and discovering new ones before...

     - ...Having lunch and endless, not-kidding around real-talk with my "brother" Michael Luwoye, currently playing Alexander Hamilton himself in the California touring production.

     - Taking my family to see HAMILTON

     - Seeing #FiddlerFam Andrew and Jacob!

     - Coloring

     - Challenging my brother, Jordan to a pool war, henceforth known as 'Swan V. Unicorn'

- Healing

- Shaving my head for the final time

- Hit once again with auto-immune flares, new chocking health trials, and, as always, learning learning learning.

- SEEING
    A Dolls House Part 2
    The Price
    Pace 2017 Showcase
    The Sojourners & Her Portmanteau
    Groundhog Day
    The Lightning Thief

-  READING
    The Universe is not What it Seem Roberto Cavelli
    Don Quixote
    The Obstacle is the Way

- SINGING SINGING SINGING!

- Becoming a face of the incredible TODAY TIX campaign! Holy moly.

- Standing agape at #NotMyPresident Trump

- Participating in the Jewish Book Council 

- Drama League Awards luncheon with 'Hub' Adam Kantor and sisters Samantha and Melanie!

- Getting a new microwave

     And:

- Placing the old microwave (that I found on the street in Astoria, 2010) back on the street, still working. It served me valiantly. I placed it on the curb and sang "Til We Reach That Day" with NO MARKING.
- GETTING HEALTHY
     - Fighting a Mount Sinai battle (forever known as the "Impossible Dream")
     - Getting Infusions #1, 2 and 3
     - Feeling well on a cellular level

Hannah's 11th birthday present: a night at the Orpheum with 'Aunt Al'



04 September, 2015

Announcement: San Francisco Symphony 15/16 Opening Gala!

So. Yeah.
Wowee zowee. 
Hello.
To you.

You know what? When I found out about the Grammy-nomination, I was paying for a cup of coffee at a 7-11. I remember counting out the coins incorrectly and holding up a huge line because I was so discombobulated.
When I found out about this, I was...also... at a 7-11.
A different 7-11 mind you, but still.
And once again, paying for coffee.
This time, however, I dropped my phone. It actually fell out of my hands and bounced around in the air while I grappled for it like I was the victim of a bad sketch comedy.

This tells me a few things:
1. I clearly... like ...7-11
2. ...and their coffee....
3. There must be a space-time-continuum thing about The San Francisco Symphony and 7-11.
4. Not only was this such an unexpected, generous and delightful invitation, it was a stunning reminder of how incredible life can be if we are open to being reminded (often, in 7-11) that we do indeed live in an abundant universe. (Hence, 7-11 pratfall.)

Basically? NBD: I'm singing showtunes with giants.
"You’re invited to the Symphony’s biggest party of the year! Toast the start of a fantastic new season with sparkling wine, a red carpet, and enjoy an exciting Symphony concert led by Michael Tilson Thomas, featuring Grammy Award-winning stage and screen star Patrick Stewart, soprano Alexandra Silber, and renowned baritone Nathan Gunn. Then, head to the glamorous after-party with delicious treats, live music, and dancing.

Formal dinner packages that include premium seating for the concert are available by contacting the Volunteer Council at (415) 503-5500."
You should come. Here's how: tickets.

Michael Tilson Thomas, Patrick Stewart, Alexandra Silber, Nathan Gunn

12 July, 2014

In My Life: Cheyenne

Cheyenne Jackson
San Francisco, California
2013

(Happy birthday Tony Tony.)

20 June, 2014

Serving Maria

Dame Kiri: honoring the legacy.
Tonight, as I was doing the dishes in my ever-warming fifth-floor walk-up in New York City, a song began to play on my iTunes shuffle.
It was "One Hand, One Heart" as sung by Kiri Te Kanawa and José Carreras from the 1985 studio recording conducted by Bernstein himself. (Many of you may be familiar with the documentary film made about the making of this recording-- for many of us it was a consummate first glimpse behind the scenes of the music world).

I stopped.
Bright-yellow gloved, and covered in soap suds, I stopped.
The music was stabbing me in the heart.
I folded over and listened to them sing...
     and I cried.

It sent me back a year-- to Al on the subway/on the streets/in a hundred voice lessons/in the shower, pouring and pouring over the Marias of the past-- Carol Lawrence, Marni Nixon, Josefina Scaglione, and Tinuke Olafimihan, trying to glean any musical understanding I could. But particularly from Dame Kiri's flawless, totally inaudible breathing, the shimmer of her high notes, and the effortlessness of her phrasing.

Once upon a time, almost exactly a year ago, there was a day when I was riding the subway up to Julliard for a voice lesson. The very same 1985 studio cast recording of "One Hand, One Heart," had come up onto my iPod, and I fell apart on the 1 train. I just surrendered to the music, allowing the tears fall down my face moved by the truth and beauty of it all as a few thoughts aburptly struck me:
  • I was conscious of the fact that I was making my way up to sing along the very streets where the 1961 movie version of West Side Story had been filmed.
  • I was conscious that only a few months before, I had made my way to this very place to audition for Michael Tilson Thomas.
  • I was aware that Bernstein's own breaths and gestures and feelings were in that moment, ringing in my ears...
  • I could not believe that of all the sopranos on earth, Michael Tilson Thomas--one of the greatest minds in music--had chosen me. I could not believe what he was giving me the chance to be a part of. 
  • I would not doubt his judgement, nor would I allow myself to let anyone down. 
It was in that moment on the train that I vowed to profoundly honor this role, and this legacy.
I endeavored (and continue to endeavor) every single day to deserve it.


You know, whoever you are, no matter where or how publicly you work on your art, we all must remember that art is, at its core, a service industry.
It is simply not about us, the artist, our ego and its agenda.
It is about the story.
It is about the truth.
It is about finding within the text and music and silences in-between, what makes us the same.
It is about serving the character,
     and in serving them, doing everything in our power to get out of our own way so that their story can be truthfully told.

I know that there are probably thousands of better singers than I. Some of them are the people I grew up admiring. Some of them are my friends. Some of them were in the cast of West Side Story with me! Some are distant phantoms I will never know or meet but I admire from afar. Many are singing beautifully in the shower in Iowa or New Zealand or Latvia. For many weeks before I reached San Francisco I allowed myself to be bogged down by those "better singers," in awe of their tone, legato, and breath control, and frankly, their life of training which I had truly only just begun.

One day in rehearsal it hit me very simply: I cannot be them.
There is only one them.
Just as there is only one Alexandra Silber.
This is not about comparison.
This is not at all about my voice, my high notes, legato or breath control.
In fact, this isn't about me or about singing at all.

This is about Maria.

And I knew in my soul, that I had a great deal to say about her.
I knew Maria in my bone marrow.
I had the ability to let Maria use my vessel to tell her story of love, courage, hope and strength.
I had the capacity to choose Maria's story over Alexandra's fears and insecurities.

And if I could find the strength to focus on Maria, rather than focusing on
     my self,
     my voice,
     the magnitude of this opportunity,
     the artistic company I am keeping, or
     the enormous legacy I am joining...
...then I would be just fine. Because Maria would be served, and with that purity of intention in mind, I trusted that the rest would fall into place...


*

Back in the kitchen standing over the dishes, as the final chords of Te Kanawa and Carreras came to a close, I realized something...
I realized that one day, there existed the possibility that the next inheritor of this great legacy, that future Marias-to-be, that people might be sitting on the 1 train bursting into tears with...me.
With Cheyenne, and MTT, and I.

And thanks to a chance encounter on iTunes shuffle, I saw it fully: this was the legacy.
Not my name on a roster of Marias on a Wikepedia page.
No. This moment of profound, connected-to-the-core, deep musical feeling alone in my kitchen.
Or on the 1 train...

None shall part us now.

17 June, 2014

I've Been: California 2014

Three Sisters
Jet-setting

Being 'Aunt Al'

Getting to know the tiny little new Silber: Charlotte.

Putting Hannah in owl pajamas
Playing softball!
General frolicking
Jumping on the bed
Reading stories
Then,
     singing Hannah to sleep

Force-feeding my nieces [total critical] musical theatre

Doing some serious eating with my big brother

Thoroughly inspecting [what feels like] every single mall in Northern California

Shame about the view...
Playing in the pool
Sunning by the pool.

Climbing up the mountain and drinking and entire bottle of champagne whilst taking in THIS view [see right]

Walking up mountains
     and through forests

Surveying the “LAND!” my brother bought



the view from the ferry
Driving to Alamo with my former student, Jonathan...

Eating THE most amazing meal with his entire family

...playing bocci ball
...and WINNING!


Making friends with a gorgeous South Carolinian family on the San Francisco Bay ferry!

Giving directions to tourists and feeling “very” San-Fran-local

The team.
Going to the dentist. In San Francisco. Because that’s where my dentist is.

Walking across downtown San Fransisco…literally


Just… ya know…launching the West Side Story CD (Eeeeee!)


Reuniting with so many friends made last year!

Singing "I Feel Pretty."

In the presence of Rita Moreno

And freaking out
then
making-out with Cheyenne Jackson
...in the women’s bathroom…

ALL AT TWITTER HEADQUARTERS

....where I discovered that everything is named after a bird... Cool.


*
Love is Strange premiere

Flying to LA for a quick hello

Having lunch in LA with people I saw 4 days ago in NYC, because, friendship.

Getting "real talk" from my second family.

Driving to Cheyenne's house
drinking smoothies
falling in love with Jason, his fiancé, 
     and Billie Jean, his dog. 
...then singing along to ourselves on the CD in his living room. (Mature.)

Then supporting the gorgeous Cheyenne at the premiere of his new film “Love is Strange.”


Staying in Michael Arden’s cabana… while he is in London, because, friendship.

Taking excessive photographs of his cat, Eloise (because evidently I have an addiction to taking cat photos...)
Business: with the sea.

Driving in the city in a Ford hybrid LIKEABOSS...

Getting long overdue Manhattans (because Manhattans are delicious.)

Going to the beach with amazing friends.

Having my (now annual) “business with the sea.”

Brunch and drinks
and Brunch dinner
and Brunch and dancing
     with a lot of amazing pals, old and new.


Making a lot of new friends.
Making a lot of 'lemonade...' 

Our Girl Band: Mermaids of Babylon
Loving my birth city. Loving it big-time. 

Seeing the “For the Record” and loving it.

Partying hard and late and dancing LIKEABOSS in the LA

Photobooth-ing
   and
Photo-bombing

Sunshine.

...a shit ton of sunshine.










05 June, 2014

"One Hand, One Heart"

One of my favorite moments shared on stage, in any place, with anyone, ever.

Not hyperbole.
Truth. 

With Cheyenne Jackson at Davies Symphony Hall singing "One Hand One Heart" lead by the great Michael Tilson Thomas and the San Francisco Symphony. I am so grateful it was captured on film.



Cheyenne and I were so profoundly connected during this song we could feel our souls mingle...

24 May, 2014

San Francisco Tweets


20 May, 2014

West Side Story is here

It is here.
And I could never articulate my feelings.
Except to say this: I FEEL PRETTY.
And proud. And excited. 
Enjoy.

16 October, 2013

How "noticey"...

So I spent the last weekend with my nieces in Corte Madera (one of the many perks to working in San Francisco is spending more time with the lovely Hannah, Madison [and now baby Charlotte!])

As we passed a Halloween owl decoration in the house, Madison (the precocious middle child with a cuddly disposition and a smile that could melt the heart of Sauron, The Grinch, Professor Snape, and probably any green-skinned monster wearing a helmet made of spikes) announced:

     "Aunt Al! Look! A Halloween owl! And you like both Halloween AND owls!"

I was floored.
My my. How "noticey" of her.

I promptly did what any sensible adult on the verge of a cuteness-diabetic-coma would do-- I responded by getting out my video camera:

     "What else does Aunt Al like?"
Supposing, naturally, that her response would be
     "MADISON!!"

But instead, allllll thiiiiiis came out...

Kids sure do say the darndest things... (crazy things-- like "Avant Garde" and "Danny Kaye")


[* taps arm, injects insulin*]

22 September, 2013

"The Land Where the Good Songs Go"

Friday, Oct 11, 2013 8:00 PM
Saturday October 12, 2013, 7:00 PM
, San Francisco, CA


Alexandra Silber, an audience favorite in recent San Francisco Symphony concert performances of West Side Story, returns to make her local cabaret debut.

Reveling in the colors and textures of the old-world Broadway soprano sound of the golden days of the musical theater: standards, favorites, classics, songs familiar and "un"-- all told with her interpretive depth and signature wit.

"The fastest rising soprano in musical theater...Alexandra Silber may be the fire starter for getting the Broadway world re-acquainted with it's "legit sound." The Huffington Post


Get your tickets here!



27 August, 2013

A Letter Never Sent

B
Somewhere in
New York
United States of America
Continent of North America
The Earth
The Solar System
THE MIND OF GOD.

A balcony in
Knob Hill
San Francisco, California
June 25, 2013 

B
So I am officially off my writing game. The words mustve caught the first bus for the bay. Or the hills. Or...somewhere I am not. None of this is helpful for my finalfinalfinal deadline for the books, let alone a handwritten letter to you (which I promised myself I would write at least one of, here on the balcony of this really quite magnificent hotel in Knob Hill). 

To be fair: all my energies are focused on music. 
Specifically: not screwing up the first-and-only symphonic recording of West Side Story EVER. 

I dont quite know how that piece of information escaped me, but it did, and here we are: theres no backing out now. 
It's funny, I am no stranger to the ebb and the flow (I am possibly the doyenne of both The Ebb as well as The Flow) but something about these last few weeks feels very different. I can't put my finger on it exactly but it has everything to do with seismic change, a true turning over of cells. What that means precisely, I don't know. But change is in the air. Nothing to do but breathe in, open my arms and leap. I might be wrong, but I might also be Wright. […See what I did there?]

Also to be fair: it is summer. And I have many a festive intention. In fact, I wrote a little Manifesto on the red-eye. Then? Well then I dug my heels in, John Proctor, I dug my heels in deep. I shall be the very last of the Mohicans holding onto summer--gaze set. 
Here are some highlights: 
- I will make room for small adventures
- I will say yes to camp fires
    and road trips
- I will always say yes to the park
- I will always have Popsicles in the freezer
     ...and watermelon in the fridge 
- I will stop worrying about things I can't control
    because I will turn 30
- I will chase and tickle my nieces
     and sing them to sleep 
     and escort them to the county fair.

- There will be many a photo-booth
- And the eating of raspberries off the tips of my fingers, out of the carton 
    And not sharing the watermelon
- I shall sit on rooftops and balconies and fire escapes
- I shall swim in rivers and lakes and both American oceans.
- I shall bring magic and romance and spontaneity into my own life. 

*

Well. My my my. Guess who has finally mastered the use of the espresso machine (!!) in my hotel room? Why me. The best part of this development, however, is not the double espresso that I can now enjoy each morning while sitting on the patio overlooking the bay with my score (and 10,000 markings and mental reminders to use less vibrato), or listening to the bells from the church across the road, or trying (and failing) to write. 

No. OH NO. The best part is that while I make said double espresso, I get to recite aloud (for myself and sure, sometimes the housekeeping staff) in my somewhat laughable Italian accent, the molto-lame-o slogan embedded on the side of the machine:
For Music ~ Puccini
For Art ~ Bernini 
For Espresso ~ Pasquini

Yet, isnt that the most ridiculously charming thing you have ever heard? Perhaps in the whole of your life? 
In other news, do you know what goes nicely with espresso? Bernstein. 

*

I hope you are well. Youve gone awfully quiet these last few weeks, which of course I understand. You should. You deserve a moment (or five) to look inward and make adjustments. I would never have wanted to have been robbed of my silent contemplative treks through Siberia all those years ago. Figuring out who the heck I was going to be next. Not on paper, mind you, but within. As well as without. 

Yet, Gogol said 
Everywhere across whatever sorrows of which our life is woven, some radiant joy will gaily flash past. 
He is right of course. That white-hot, phantasmagoric mind was so very correct. Nickolai Gogol is my kind of genius. 

So, Dear B, wherever you are, I hope you are everything you need to be right at this moment; and that those 'flashes of radiant joy' are not kept from you. 

Always,
A

04 July, 2013

a Family 4th

Nothing like force-feeding your nieces some good, hearty, patriotic musical theatre on the 4th of July... Someone oughtta open up a window...
A Musical 4th from Alexandra Silber on Vimeo.

03 July, 2013

30

Here it is.
The big Three-O.
Dirty 30.
The milestone of crazy women everywhere.
Let's review.

Thirty is:

- The sum of the first four squares, which makes it a square pyramidal number.
- The code for international direct dial phone calls to Greece
- The total number of major and minor keys in Western tonal music, including enharmonic equivalents!
- A semiperfect number (adding up some subsets of its divisors --e.g., 5, 10 and 15-- gives 30)
- The atomic number of zinc. 
- –30– is used to indicate the end of a newspaper (or broadcast) story, a copy editor's typographical notation.
- The number of days in the months April, June, September and November (and in very strange and unusual circumstances February—see February 30)
- The number of cars in the F-Zero franchise.
- The minimum age for United States senators
- The pearl wedding anniversary!
- The number of tracks on The Beatles' eponymous album, usually known as The White Album

But I think one thing is certain. When I look back, I will always know that I spent my 20s "figuring it out"-- and hadn't truly figured anything out, until now.
Not really.
... aaaaaand I am also pretty certain I will be saying THAT sentence again... many times over. For the rest of my life.

29 was a year of great overturn-- over the last year I have made some new resolutions, taken a conscious new course of action in my life, my career and my relationships...

Crucially this: this may come a surprise to those of you who know me as a "person who sings," but for whatever reason, singing has been a source of extraordinary emotional potency for me, and not always in a positive way.


I am going to let you in on a very personal experience, and I think you shall relate on some level. 

There is hardly a time I can remember when did not sing, with purity, and coming from a place of utter spiritual exuberance. I would sing around the house, in the shower and in the car almost unconsciously, I poured and poured over role models, I Singing was, in truth, my primary source of joy.

When my father died in 2001, my mother made an observation: I had stopped singing entirely.
No more did I sing blithely about the house.
No more recordings.
No more music, it would seem, at all.
For you see, there was nothing to be joyful about

It was entirely subconscious, but as I look back and unfold the deep layers of so complicated a time, I recognize that I stored the enormity of those feelings--all my confusion and anger and sorrow and grief-- in my voice. It was lodged there, a ball of delicate string growing more tangled and entrenched in itself every day... and I didn't even know. 

So what did I do?
I denied I was a singer.
I denied more lessons, any formal higher training.
I sewed up my throat and (with no regret whatsoever) got my degree in classical acting (and even subconsciously suggested I choreograph the Christmas pantomime so I could avoid singing one of the leads!)
My true nature caught up with me when Andrew Lloyd Webber's The Woman in White would not allow me to hide anymore... and I suppose the rest is sort of history. Whoever would have thought? Not me.

But here is the crucial revelation:

If I continued to say "I am not a singer" over and over again, that statement accomplished a few things:
  1. It sent that exact message to The Universe, (and The Universe raged against my mind, and responded with a palpable vengeance...putting me into more and more confrontational situations with this GIANT LIE!)
  2. It declared that everything I DID achieve as a singer was a "miracle" and...
  3. ...everything I did NOT achieve was "not my fault" because I was "not a singer..."
But basically: it was not mature
It was a shallow attempt to "get off the hook" to absolve me of any form of personal responsibility. 
It was not the behavior of a woman.
It was not in line with my true nature, my deepest desires, or the essence of my morals.
It was the behavior of a scared little girl.

So, with the help of a few dedicated (and very compassionate) people, I decided, quite consciously (and with gut-wrenching, sometimes literally paralyzing terror), to become the singer I knew I was.
To throw myself in head first, and know that if I truly failed, at least I would always know, without a shadow of a doubt, that I failed honestly.

To accept responsibility.
To accept myself.
...isn't that what this whole business of life is all about?

We all do this-- with our careers, our relationships, our everyday interactions with our inner-consciousness. There's a wonderful quote from Nora Ephron's You've Got Mail where Meg Ryan's character Kathleen says
"Sometimes I wonder about my life. I lead a small life - well, valuable, but small - and sometimes I wonder, do I do it because I like it, or because I haven't been brave..."

After a few months of soul-crushing work:
Carnegie Hall called...
Then Caramoor Music Festival...
...and then what for me was the job of a lifetime singing Maria in West Side Story with the San Francisco Symphony on the history making, first-ever symphonic recording of the iconic piece.

I dunno.
Somehow?
Somehow I think The Universe might have been saying
"...Well...? FINALLY..."
...Not that anyone probably believed my bulls*** in the first place...

And so, I, like so many before me, have spent my 20s truly becoming myself.
I stand before you today truly owning it all.
Owning my strengths.
My power.
My Achilles-heels.
My insecurites.
My needs.
My deepest and more profoundly wished-for hopes and dreams.

As I spent the very last day of my 20s singing "Tonight" and "One Hand, One Heart" and "I Feel Pretty" out across the San Francisco Symphony, I felt my cells actually turn over. At the stroke of midnight, when some of the greatest musicians in the world sang "Happy Birthday" I felt it: life would not, could not, ever be the same. For when you not only take responsibility for you life, but for who you truly are, the world unfolds itself before you like a flower.

It is my belief that it is our primary objective, our most crucial human vocation, to continue this process throughout the course of our lives.
I vow to do so.

That is what a true birth-day, is all about.

27 June, 2013

"San Francisco Symphony's Tony & Maria..."

Opening tonight at San Francisco Symphony's Davies Hall, until July 2.  

From the Huffington Post:
"Say it loud, say it soft -- West Side Story. And there's music playing. It's just there, deep in the heart, engraved in the culture and playing somewhere right this moment. San Francisco Symphony is presenting five performances of West Side Story, June 27-30 / July 2, and like you've never seen or heard before. They are the first to present the complete 1957 musical on a concert stage. And hold on, the production is being recorded. It may prove to be the most significant recording of the show since the Original Broadway cast. Conductor Michael Tilson Thomas worked with Leonard Bernstein and is internationally renowned for being the composer's champion interpreter. In the roles of the star-crossed lovers, popular Broadway and TV personality Cheyenne Jackson as "Tony" and the fastest-rising soprano in musical theatre, Alexandra Silber as "Maria." It's the stuff that dreams are made of."

Read the full article HERE.