Sophie on Broadway |
Sophie at The Kennedy Center |
* * *
To use a term that Tyne coined, "erasing old tapes".
Carousel "1.0" in London |
Carousel "2.0" in LA |
It isn't easy. And frankly, it should not be easy, because one hopes that every choice you make is a part of you, part of your Self, so that redrafting any of the work feels like ripping skin.
But it is necessary.
It is part of the ephemeral nature of the theatre.
There is only now.
Now is all we have.
... I suppose that is a pretty accurate description of life too.
If you can serve your character's needs, and not your own, you won't ever be bogged down by what "you" used to do-- because for "THEY" have never done this before. And this is not about you. This is about the character's story being told.
"It's okay Tony!" |
As for Garret and Sierra? They are both incredibly gifted people and we all are in love with each other. The whole cast is. (In fact, Garret, Sierra and I often hang out together in-between shows on two show days and have what we call a "Student Council Meeting." Sophie, I am sure you would be pleased to know, is Student Council President. Tony serves as Treasurer. Sharon is clearly secretary-- she always has a pencil...)
I suppose that even within a one-year run, the challenge is to be present with your performance and what it needs now 6 months into your contract, as opposed to 1 month in. So much happens to us within a short amount of time, and finding the truth of 'now' within the original direction seems both interesting and exciting to me. I hope I can one day go through that challenge... I had a taste of it in a recent 8-week rehearsal process (whoa, right?!)
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