29 October, 2012

The Gentleman's Daughter

On some days Shura was ordered to clear the courtyards, other times she was made to haul logs, draw water, or to hew wood for kindling and stack them uniform as soldiers; and if the logs were not hearty, the water not clear enough, the wood not placed sufficiently in tight, symmetrical piles, she was ordered (in a tone colder than the temperatures she endured) to do it again.

Shura worked. Slogged. Waited.
Waiting was another hell of the convict.
It had its many depths.

Recently, however, Shura had been turning in her hard labor and working many a late night in The Gentleman’s office.

*

Shura knelt scrubbing mold from the lavatory basins when The Gentleman approached her from behind.
    “Hello” he said, in his distinctive, quiet voice.
    "Good day, Sir."
He was holding a pamphlet he shook lightly as he declared,
    “The guards say your Russian has become quite impressive, Shura.”
    “I have always had a talent for language, Sir.”
Shura saw language like a puzzle to be put together, her instincts always leading her to the absolutely correct next piece as it locked into place.     
    “—And that you do not merely speak, but read and write. Is that so?”
    “I do not think that my husband," she smiled, "would have it any other way.”
It was true, Mikhail made certain Shura could speak, read and write Russian, not merely for her own good, but because he could not have quelled her insatiable questioning if he tried.
The Gentleman stepped closer and handed her the pamphlet,
    “Would you care to demonstrate?”    
   
*

She would work while moths, beetles, snow and wind all beat against the November-colored windows as she transcribed, scribbled and translated. The hours were long and loathe at passing, but despite that she was of course quite comfortable in comparison to her prior tasks of drudgery. Besides, The Gentleman always provided her with hot tea, a fire, and, though modest in appearance, a cushioned chair. Yet even as she finished and put away each paper, there always seemed to be something else — just one more task in need of completion.


She shared the tasks with another girl whose name she understood to be called Sarangerel (she learned to be the Mongolian for 'moon-light,') though was always known to everyone simply as, Ana.

Ana always sat beside The Gentleman’s desk at a squat little table of her own; posture determinedly upright as she wrote endlessly on page after page of import and export, entry and discharge documents in handwriting as precise as religion and just as scrupulous. She was small, body rigid, relentless in its productivity, with a manner so reserved she seldom spoke.

Ana was in fact none other than The Gentleman’s daughter.

Perhaps it was due to his overly protective stance that she remained so silent — he kept her close and unvisited, forbidding anyone to speak to her; not only the prisoners but to fellow sentries, guards and keepers; and soon she had managed to learn a life of silence so effective she scarcely seemed fussed by the conversation kept from her by a imperceptible paternal boundary.

Shura had heard whispers that Ana was a mix of local races, and she did indeed possess a composition of features Shura had never seen before in her life, had never known possible! So unusual were her qualities that at times she could not help but stare upon her workmates’ tawny skin tone, her small, flat nose, the height of her cheeks, the prominence and beauty of her bones. Her face was shaped like a heart and clothed in a light headscarf—not as Shura would have worn secured beneath the nape of her neck, but wrapped under and below her chin in what the Russians called the babushka (or "grandmother") style.

The night was dark as tar. And quiet, still as anything. Shura thought she could hear her heart beating beneath her shawl when all at once Ana looked up and nodded silently toward her, unsmiling.

A scrap of blackest hair was swept across her forehead resting like a perfect leaf, as her lean brows framed her completely foreign eyes — not only foreign, but ferocious: articulating a universe of strength and intelligence, and so piercing a blue they betrayed in every way the blood connection to her father...

Oh judicious blood, thought Shura, to select so striking a quality…



26 October, 2012

"Glengarry's Richard Schiff is Holding Broadway's Alexandra Silber Hostage?"

Conspirators: Babani, Schiff and Silber
So.... things have gotten a liiiiiiittttle out of control. But man: is it fun. So, as readers, you have all heard me kvell about my "West Wing Song" over the years-- some of you have witnessed the performance of it live. 

But the other night? The other night I met Richard Schiff (and, after a delightful and truly lovely evening discussing everything) our mutual friend "outed" me-- and the SONG WAS SUNG. And perhaps... juuuuust perhaps it was video taped... the rest? The rest is "Twistery..."
JOIN THE MOVEMENT! 
* * *
From TheaterMania.com
By Editorial Staff • Oct 26, 2012 • New York City


Glengarry, Glen Ross star Richard Schiff has gone mad with power...on Twitter.The award-winning actor, perhaps best known for his performance as Toby Ziegler on The West Wing, reportedly has a video of Broadway and West End veteran Alexandra Silber singing the hit TV series' theme song, with lyrics she composed herself.
(The original "The West Wing Song," used during the series' opening credits, was a word-less W.G. Snuffy Walden overture.)
Silber recently attended the Glengarry revival and, following the performance, sang the song for Schiff, who documented it on film. Schiff has said he will release the video, but not until an appropriately belligerent amount of demand for it appears on Twitter.
"I will play #TWW song (recorded it) but only after intense tweet demand," Schiff Tweeted.
She wrote the song as a college student in Glasgow, Scotland, watching the series on DVD with her then-boyfriend. "We basically developed The West Wing Song, the one of such glory and more, with harmonies, with different versions for each season, and we would look forward to the first 30 seconds of each episode to sing it." (The lyrics, she notes, "are basically the names of the actors sung in alphabetical order," with the music.)
Since Schiff and Silber first posted about it, demand has skyrocketed, and Silber's Broadway comrades are also getting into the act:
"Dear @richard_schiff, We have never met but I feel confident we will be besties 4ever if you just post @alsilbs singin dat West Wing song," wrote Julia Murney.
"He has all the power," Silber added, "and he's clearly enjoying his power."
So we're sending out a call to arms and demanding a release of the video. Tweet them @richard_schiff and @alsilbs with the hashtag #TWWSong.
Next move is on you, Schiff.

* * *
Sorkin's Ransom shot

UPDATE:

The Hollywood Reporter reports, THIS JUST IN:

"The Newsroom" creator tweets twice, posting a photo and asking for actress Alexandra Silber's rendition of "The West Wing" theme song.

We're now waiting for reports of pigs flying.
In what can only be described as the biggest "You cannot be serious" moment the Twittersphere has experienced in a long time, Oscar-winning screenwriter and The Newsroom creator, Aaron Sorkin has finally joined Twitter.

Sorkin has repeatedly scoffed at joining social networks in the past, even though he briefly had a Facebook page during the writing process of the The Social Network.
"I have a lot of opinions on social media that make me sound like a grumpy old man sitting on the porch yelling at kids," Sorkin said at the Cannes Lions International Festival of Creativity in June 2011.

The unexpected move was confirmed on Twitter by former The West Wing actor Richard Schiff.
Schiff tweeted: "It's out. Yes, Aaron sent me word that it is indeed him. On to demand #TWWSong  // @leenie909  @aaronsorkin  @lawrence  @joshmalina  @dulehill."

Sorkin has only tweeted twice since joining the social networking service, posting his first tweet on October 26.

His first tweet featured a photograph of himself holding The New York Times from that day standing in front of posters of The West Wing and Studio 60 on the Sunset Strip. The photo is posted below.

Sorkin's second tweet was to Schiff, who played Tobey Ziegler on The West Wing and who's currently on Broadway in the revival of David Mamet's Glengarry Glen Ross.

Sorkin tweeted: "@richard_schiff: Other than 18 hrs/day for 7 years I've never asked for anything. I want the A. Silber cover. #TWWSong @alsilbs."

According the TheaterMania, the tweet is in reference to Schiff's recording of actress Alexandra Silber's rendition of The West Wing theme song, complete with lyrics she composed herself. Schiff recorded Silber performing the song and is claiming to only release it after there's enough Twitter demand for it.

Schiff is using the hashtag #TWWSong to monitor the Twitter requests.
Whether we'll hear or see anything from Sorkin again on Twitter is yet to be seen. Sorkin could not be reached for comment.

Needless to say, does anyone know the temperature of Hell these days?

10 October, 2012

"Love Means..." A Two-Show Day With Love Story, the Musical Stars Will Reynolds and Alexandra Silber

"Spend a day at Philly's Walnut Street Theatre with Alexandra Silber and Will Reynolds, who star in the American premiere of Love Story, the Musical. Follow them en route to the theatre and learn the various methods and exercises required to bring Jenny Cavilleri and Oliver Barrett IV to life."

"Well hello Playbill. Alexandra ('Al') Silber and Will Reynolds here, straight from Philadelphia's historic Walnut Street Theatre," said the pair in a joint statement. "For us, playing Jenny 'snotty Radcliffe bitch' Cavilleri and Oliver 'preppy Harvard bastard' Barrett IV-- lovers of such notoriety-- has been a tall order, but also nothing short of a joy."
"That said:

  • 1. Interestingly, it is in fact, *not* always sunny in Philadelphia.
  • 2. It HAS been 'hot as hell-- in Philadel-PHIA.'
  • 3. This show isn't about 'brotherly love...'
  • 4. Love DOES mean having to say you're sorry. All. The. Time."
The full Playbill article is here.

30 September, 2012

I've Been...

JULY
visiting the oboe doctor with Lilly

driving to Philadelphia

seeing Max kill it as Che in Evita

turning 29

socializing my FACE off

going La Ronde "again"

going to the circus...


hearing lots of live music
       and performance art (like Orchestra 360 from the NY Phil)

spending quality time with true friends
and skyping with far away ones

opening up


AUGUST
falling in love with my f'usband Will Reynolds
and Philadelphia

Making friends and doing stuff

Seeing Newsies ...in the second row. Like a fangirl. 

falling in looooooove (with an actual clown...)
SEPTEMBER
North American Premier of Love Story

Really gettin' into the City of Brotherly Love
Cheese-steak showdown

    
Reading  like a crazy library lady
  •      The Marriage Plot
  •      The Tipping Point
  •      Assassination Vacation
  •      Cloud Atlas

28 September, 2012

Things that are Free: A List

borrowed 
     books 
     and movies 
     and clothing... yay!

Hand holding

long meaningful talks

wildflowers

smiling

speech

samples: WORD.

walks by the water 

the library

Kisses
 
star-gazing

kick-ass museums, parks and beautiful buildings

taking joy in simple things. Joy is free.

the scenic route. 

the mint with the check
     and the mint on the pillow


23 September, 2012

Love Story - Production Highlights

Performance highlights from the production at Walnut Street Theatre. Please join us!

"Walnut Street Theatre opens its landmark 204th season with the American premiere of Erich Segal’s LOVE STORY, the musical. With direction and musical staging by Annabel Bolton, this emotionally charged production is a delicate story of life and love and is currening runningns through October 21st on the WST Mainstage. BroadwayWorld has a first look at the production below. Inspired by Erich Segal's best-selling iconic novel of the same name, and one of the most romantic films of all time, this life-affirming musical will have audiences remembering the first time they fell in love. When Oliver Barrett IV wanders into a library in search of a book, he discovers Jenny Cavilleri. They came from different worlds. He was a Harvard man, she was Radcliffe. He was rich, she was poor. But they fell in love. This is their story. Love Story, the musical originally premiered at Chichester's Minerva Theatre in June, 2010. In December of 2012, following a sell-out season at the Chichester Festival, the production transferred to the Duchess Theatre in London’s West End. The show features music by Howard Goodall, book by Stephen Clark and lyrics by Clark and Goodall."

Read more: here!

20 September, 2012

18 September, 2012

Behind the Scenes: Interview with Howard Goodall

British composer (of musicals, choral music and televisual music) Howard Goodall (who also presents music-based programming for television and radio, and in May 2009 he was named "Composer of the Year" at the Classical BRIT Awards) takes us through the exciting process of creating the music for LOVE STORY, the musical, and shares his inspirations, as well as a favorite moment from the show (*which makes me very very happy*).

Also some sneaky little video clips!

Enjoy.


12 September, 2012

Love Story - Opening Night

"Say that love's a bridge to cross an ocean..."

So hono(u)red to be opening the North American premiere of Love Story tonight in Philadelphia alongside my fictional husband, the wonderful Will Reynolds. It has been the greatest artistic experience of my career thus far.

More thoughts to come...

But tonight? My dear Emma Williams, this one is for you. xx

10 September, 2012

TomAYto TomAHto...


"Pasta!" - Emma Williams and Michael Xavier in the Original London Cast, and Will Reynolds and Alexandra Silber in the North American Cast as Jenny and Oliver.


All of them such wonderful friends too. 

#LoveStoryLoveFest

01 September, 2012

75th Birthday

Today would have been my Dad's 75th birthday.

September is upon us now, and it heralds the coming of the nostalgic months, a time for reflection and thoughts of new beginnings...

Always a believer that everything happens for a reason, I can't help but sense that I have been presented with the story of Jenny Cavilleri at just the right moment-- on this, Michael Silber's 75th birthday, I am no longer focused on the grief of "being left behind,"but can rather identify with the uncanny peace and clarity of those that move onward.

Happy Birthday Papa.
"Oh the days dwindle down, to a precious few...
September... November...
And these few precious days
I'll spend with you.
These precious days
I'll spend with you..."
                   -- from "September Song"

13 August, 2012

Love Story Announcement

I am so (beyond) excited to officially announce my next theatrical adventure... 

From Playbill:
The American premiere of Love Story, the musical, based on the best-selling Erich Segal novel, will star Broadway and West End vet Alexandra Silber to play doomed co-ed Jenny Cavilleri in the American premiere of Love Story, The Musical at Philadelphia’s Walnut Street Theatre with Will Reynolds (Mamma Mia! on tour) as Oliver Barrett IV at Walnut Street Theatre in Philadelphia.
Direction and musical staging are by Annabel Bolton, who worked on the original English production. Performances begin Sept. 4 prior to a Sept. 12 opening for a run to Oct. 21 on the WST Mainstage.

The show — which premiered at Chichester's Minerva Theatre starring Emma Williams and Michael Xavier in June 2010 before moving to London's West End in December 2012 — features music by Howard Goodall, book by Stephen Clark and lyrics by Clark

"Inspired by Erich Segal's best-selling iconic novel of the same name, and one of the most romantic films of all time, this life-affirming musical will have audiences remembering the first time they fell in love," according to WST notes. "When Oliver Barrett IV wanders into a library in search of a book, he discovers Jenny Cavilleri. They came from different worlds. He was a Harvard man, she was Radcliffe. He was rich, she was poor. But they fell in love. This is their story."
 Musical and vocal direction are by Douglass G. Lutz. The creative team also includes set designer Peter McKintosh, lighting designer Shon Causer, costume designer Colleen Grady and sound designer Will Pickens. 


The cast includes Charles Pistone as Phil Cavilleri, Jane Labanz as Alison, Paul L. Nolan as Oliver Barrett III, plus Pierce Cravens, Lisa Marie Gargione, Sarah Gliko, Charles Hagerty, Danielle Herbert, John Jarboe and Scott Langdon.
For tickets and information, call (215) 574-3550 or (800) 982-2787. Tickets are also available by visiting WalnutStreetTheatre.org or Ticketmaster.com

Jenny-s
So... here's the thing. Emma Williams? The original Jenny Cavilleri in Chichester/London? Yeah, she is one of my very best friends. I remember listening to the demos for this musical way back in 2007. I remember weeping when I saw her play the role for the one single night I was in London at the beginning of 2011. When you love a character, it is a deeply personal thing to pass the baton to another player whom one can only hope will love and hono(u)r the creation as much as you have. Therefore it is quite a magical thing when one is given the opportunity to carry the torch for a person you admire and love beyond so many others.

This is going to be a very special one. Hope to see you there.